A creative hot-spot

The Garden of The Grandfather

I’ve never delved deeply into ley lines.  Today I’m wondering how people with creative energy might kick off extra creativity in themselves and others at particular points in the compass; that is, over and above the usual energy that’s generated between creative people when they meet.   This thought comes from a recent coming-together of three people – Yiannis Angelopoulos, Peter and myself – in Lourdata, Cefallonia.  The conjunction of the three of us on one particular spot set something exciting in train.  Here’s the triangulation.   Peter found something he wanted to sketch.  Yiannis video’d Peter sketching.  I was hooked by the sign on the gate of the garden Peter was sketching.

The sign gave me the title for the book I’m working on: The Garden of the Grandfather.  This will be a picture of Greece in the 1960s, a narrative of our life there illustrated by black and white photographs.   Conversations with Yiannis have expanded our ideas to include colour – Peter’s work in oils, ink, and watercolour.   Yiannis’ video is now on youtube.   Something good to share publicly must surely come out of this triangle of ideas.

p.s. I have now added a page on the site for the first 10,000 words of the book.

http://www.youtube.comwatchtime_continue=2&v=awD0DGJEAcs

 

 

Dreaming up our second Greek book

(photo by Yiannis Angelopoulos)

possible cover of a book in the making

title: ‘The Garden of The Grandfather’
a picture of Greece in the 1960s in words, photographs and paintings

by Peter and Susan Barrett

I’m debating with myself whether to post here regularly the narrative of this book as I write it.   Although I keep polishing as I write, the posts will not be up to the standard of the final version of what I hope will be the published book.  The debate will continue …

Brainwaves in the sea

The Garden of The Grandfather

While gently floating in the Ionian sea – or was it in the midst of a nighttime dream – the title of our present Greek book came to me.

The Garden of The Grandfather

These words – Ο κυπος του παπου – are written on a sun-bleached sign hanging from a padlocked gate behind the beach in Lourdas Bay.   Beyond lies the garden, a fenced-in enclosure where an old man grows  potatoes, tomatoes and green peppers.  At the far end there’s a small,  white-painted shelter on  stilts with a magenta-coloured bougainvillea framing its roof against the backdrop of Cefallonia’s Mount Enos.  Peter sketched the scene and I began to write in my head the introduction to our book of Greek life as it was in the 1960s.

This morning, at ten o’clock on July 11th 2017, I am at my computer in Devon.  But in my head I am overlooking the bay of Kamares, Sifnos, in 1963.   I am summoning up memories of the summer when I wrote my first attempt at a novel and Peter painted large canvases in oils built up with sand from the beach.  These were exhibited at the Drian Galleries, London.  (I want to track down the catalogues of his four exhibitions at the Drian.  Can anyone help?)

The workings of the brain and the memory are in a world of their own, very hard to grasp.  I plan to re-read “The Human Brain, a guided tour” by Susan Greenfield.  I used my brain in an attempt to understand what she wrote.   My memory of the details of her book is hazy.   Yet I know I took in her expositions and they inform my views.   This brings me to consider the difference in Peter’s memories and mine of the same events.   I remember, if not the exact details, then the general drift: the atmosphere of a scene or the personality of a person.     The way I remember is, I think,  more typical of a female, but it’s also a writer’s way.   Peter’s memory works in a masculine,  fact-focused way.   Being an artist, his memories are also visual.    These differences work well together as we remember our life in Greece in words and pictures.  The eventual book, I hope, will evoke that delicious, sad-happy feeling of nostalgia, appealing to lovers of Greece of any age: the past still visible in the present.

Now back to ‘The Garden of the Grandfather’, not the actual one in Cefallonia sketched by Peter this summer but to our work-in-progress.   Back to Sifnos and lighting oil lamps at dusk in 1963 …

Asleep in the sun

Tomorrow we’ll be back in Greece.  Hot sun, whitewashed stones, and the need to seek shade for a deep sleep at siesta time, as this stonemason managed  on a ledge in Myconos town, 1963.     And we’ll be cooling off …

At Sea

… in the Ionian sea, as in this illustration from the spoof SB Guide to Nature, Notes and Sketches from the wilder regions of our world.

Greek island travel in the 1960s

Who remembers the Greek island ferry boats of the 1960s?  Peter and I first arrived on the island of Sifnos in the Cyclades in April 1963.  That was the start of our life spent painting and writing for a living.  We are now retrieving  memories of our early years in Greece helped by the photographs we took at the time.    We kept the negatives.  With toay’s technology it’s possible to turn these into digital images which can also be printed.  Our past is brought into the present.  Greece is still our favourite subject for painting and writing.  If only our youthful bodies could re-appear too!

What’s in a name?

I’ve completed a tour of book bloggers in the States, organised by Teddy Rose of virtualauthorsbooktours. This, as yet, hasn’t resulted in more sales of the promoted title, White Lies, but the novel has been read by more people than I could reach on my own bat, as well as receiving some good reviews.
In the process I noticed on the novel’s Amazon.com page a reviewer mixed me up with a Susan Barrett who lives in Atlanta. I’ve also noticed that when the name Susan Barrett is googled, Goodreads has me as Author of Fixing Shadows. That’s another Susan Barrett. I should have given myself a middle initial like so many do, but way back when I started being published I didn’t foresee the proliferation of identical names.
What are all we Susan Barretts to do? It’s far too late for old-timers like me to start putting middle initials to our name. I’d love to become Susan Z. Barrett. Zuleika? Zandra?
If the author of Fixing Shadows happens to read this – or anyone who knows her personally – I would love to be in touch. I was so indignant when she first came on the scene and I realised that I wasn’t the only British novelist called Susan Barrett on the planet. I expect she felt the same when she discovered there was someone out there before she wrote her first novel.

On the brink

(Just to add today, 13th June, I wrote this on June 1st and it stayed gathering dust as a Draft until today).

I expect we all know the feeling of being on the brink of something new.  It may be only a minor change, or it may be something enormous like a life decision.  The feeling links up the mind and the body to disturbing effect.

I experience this often.  In the last few days I’ve been on the brink of making decisions about my work as a writer.  Last year I set up this WordPress site, knowing I should do something public as a writer, having – after a long silence – self-published three books with Createspace on Amazon.  I had decided to give up attempting to clamber back into the traditional publishing world.  I would fling myself into the ocean of self-publishers and take part in all the activities – blogging, engaging on social media, and so on – necessary to promote myself, my titles, and sell some copies.

For some reason, which I’m sure I thought logical at the time, I established the domain name aliveinww2.    This is the title of the non-fiction book, one of those three on Createspace, subtitled The Cousins’ Chronicle, commentary and memoir.  It’s based on family wartime newsletters and of course some present-day cousins – at various levels of kinship – were interested enough to buy copies.  Beyond them, did anyone fork out the eight necessary pounds or equivalent dollars to buy and read this book … very few, if any.  I probably thought that by using the title as domain name I might  help sales.

I set up this WordPress site with this URL and made myself explore the world of blogging.  I began to understand just how every second person in the world thinks they can write.   People sometimes tell Peter when admiring his work, that they’d dearly love to be able to draw and paint but they can’t.  I have yet to meet anyone who doesn’t think they can write.  After all, they’ve done it ever since they learnt to hold a pencil.  Of course a lot of people do realise that it is an art like any other.  You need a certain amount of inborn talent to start with, then a lot of hard work, experiential learning and perseverance.

One of the things I’ve found hard is being part of this unregulated world.  There is no quality control at all.   When anyone of whatever merit,  lack of talent or basic literacy can publish their writing, how can readers find a decent read?   I learnt about book bloggers, and decided that this would be a way to reach the kind of readers who might like my kind of writing.  A trawl brought up the name of Teddy Rose who organises digital book tours http://virtualauthorsbooktours.com.  I signed on, full of hope.  (I’m a incurable optimist).   My ‘tour’ ended on May 31st after two months.  As yet it hasn’t resulted in a single sale of the novel I was promoting.

In fact, I enjoyed all aspects of the tour save this non-sale result.  It was fun to answer questions about the book ‘White Lies’.   It started with a wild interview with very jolly Michelle Jordan’s  ‘Indie Review Behind the Scenes Maverick Moment’ Youtube video.  Teddy was a good companion during the strange tour of book bloggers.  An early one objected to be use of the word ‘natural’ for the woman she’d prefer to be called the ‘birth’ mother, and removed herself from the tour.  Apart from this blogger, the reviews  were in favour of the book, eleven in all.  I was pleased because they came from people who – I gathered – usually review novels that are easier to read at speed.  They found White Lies needed greater attention but said that it rewarded their time.  One of the last reviewers (on Amazon.com) said the story “paints a fuller picture of the emotional intricacies of adoption.”  She has an adopted brother.  “This book makes me think outside of the obvious.”   She expresses the hope that, if ever they talk about his adoption, she will “navigate the interaction with compassion, empathy and a whole lot of sensitivity.”  This comment pleased me.  I always hope that my books will nudge people to think about and see their own lives and relationships in a new way, as well as entertain them with a good story.

But how much effect, if any at all, has this tour had on spreading the word about Susan Barrett and her work?  I spent money on it.   I would have liked sales to pay for it.    I don’t expect to make money out of writing – very few authors do.  But I would like to reach more readers.   I also want to give up this business of working at promotion, and get back to writing the novel I’d begun before the bloggers’ tour.  Its working title is Greek Gold.  Today I began the third chapter.  Alex, my main character, is on the brink of a parachute jump.  In fact, he’s been on the brink since January.  I kept him there, alive in my head in that quivering moment, for the intervening months.  This morning I began to put into words my vision of the poor chap  – and he’s still not jumped after one page of writing.  I’ve been waylaid by this post because I have the idea that I will give a page of the site to writing this novel.  That might be a good way of finding the path between promoting work and writing it.

I’m on the brink of a decision.

Who’s afraid of being called elitist?

Who’s afraid of being called elitist?

I am.   I don’t want to be thought elitist.  What’s going on?

The word is used as a slur to describe those who are thought – by their accusers –  to consider themselves superior.  The elite and the elitists – so the thought goes – need to be brought down a peg or two.  Unpleasant feelings hang around the word, both for the accuser and the accused.  There was a sketch demonstrating the ridiculous nature of social hierarchy.   Three men stood in line.  The tallest, played by John Cleese, looked down on the other two; the middle one, Ronnie Barker, looked up to the tallest and down on the smallest; the smallest, Ronnie Corbett, looked up to both.  I smiled but I also squirmed.

Placing a comparison into a vertical structure induces those unpleasant feelings.  Better to remove that structure and see comparisons in a horizontal way.  X is neither better nor worse than Y; they are different.

This morning I asked a Facebook group of writers this question: does anyone consider in this group consider they write literary fiction, as opposed to genre?  The tenor of the responses could be summed up by one word that appeared: ‘dunno’.

The word signalled to me that the writer might be taking a particular stand.  Any moment, in this exchange, I expected the word ‘elitism’ to appear.  Sure enough it did.  It made me think of the trends we are witnessing in the US, UK and Europe.  Dunno is okay.  More than that, it’s expected, accepted and admired.  Down with experts.  Down with quality.  Down with the elite.

But I don’t want to think vertically.  We can see and compare different things in a horizontal way.  Categorising is useful for readers and writers.   I write literary fiction.  I don’t write genre fiction.  I’ve tried.  I sat down to write romance but found I couldn’t.  Humour and satire kept creeping in.  I admire anyone who can write what a great many people want to read.  It may be genre.  It may be the kind of literary fiction that publishers are after at the time, or is by one of the current names with a good record of sales and critical acclaim.

As a reader, I choose literary fiction and I exercise my own benchmark of quality.  What I read has to be well-written, entertaining and thought-provoking.   I aim for the same in my writing.  In recent years, I have tried to regain my foothold in the mainstream world and received enough rejections to try self-publishing.  I enjoyed getting books onto Amazon via Createspace.  But how to find readers – that’s the big question.

I’m sure there must be many writers who, like me, write literary fiction and who may have been published by mainstream publishers in the past but who are now being rejected.  I set up an ebook publishing site in 2010 to cater for these writers, but running the site was too time-consuming and too like my other job – counselling.  It was taken over but is now defunct.  I would like to find writers like me in the self-publishing world: non-genre, literary fiction writers, being rejected by mainstream publishers.  If anyone reading this considers they fit into this category, do please get in touch.

 

At Sea

Susie Barrett, cartoon greetings cards

At Sea is an appropriate title for today’s post.  Teddy Rose of virtualauthorsbooktours has told me that two of my social media buttons don’t work.  Hell.  My floundering  to stay afloat in the sea of social media and the self-publishing ocean continues.   I’m keen to fathom the Twitter and Google+ links out on my own, without recourse to paying someone to do it for me.  It’s a balancing act between working at promotion in order to make money from possible sales and spending money fruitlessly on that very promotion.  The amount I earn is so infinitesimal you have to screw up your eyes to make out the figure on the screen.  Paying for help to promote is against the grain, common sense and the current account balance.  But how else to gain sales and the readers I hope for?

I’ve just posted on Linkedin talking about the way pictures are more likely to attract attention than words.  I’m thinking of writing the story behind the greeting cards.   Click on the linkedin button in the sidebar to the right and please let me know what you think.

At Sea

Nesting