2022 new books

So Far, So Good – sixty years together in words and pictures

a memoir with Peter Barrett

Flood and Flame – a novella about life and love

Praise from Tony Anderson

I thought the form perfect, the content beautifully done and the writing itself terrific. I completely fell for your characters, all in their different ways, and your account of  lives over many decades rang so true and resounded hugely.

I have to say that the end had me gulping – it was terribly moving.

And if you really aren’t going to write another novel, I’m sure there’ll be more poetry, both on the page and off.

Praise is sometimes hard to hear

I don’t quite understand why I skim over compliments, barely registering them. What a waste! I’ve just re-found an email of praise from a writer friend whose opinion I value highly. Did I take it in on first reading? Not well enough, is the answer. I read it again this morning and glowed with pleasure; so much so that I will copy and paste it here.

Dear Susie,

I finished Flood & Flame a couple of days back and Lu has now done so, too, & I’m sure she’ll write to you.

I just wanted to say how much I had enjoyed it.

I thought the form perfect, the content beautifully done and the writing itself terrific. I completely fell for your characters, all in their different ways, and your account of  lives over many decades rang so true and resounded hugely.

I have to say that the end had me gulping – it was terribly moving.

And if you really aren’t going to write another novel, I’m sure there’ll be more poetry, both on the page and off.

All love to you both and many felicitations for having created & produced something really special,

Tony

A Matter of Life and Death

When Eye can no longer write and read

the things I loved to read and see,

I can bewail my age, and rage –

Or simply accept the next new page.

I cannot know the final hour

When Death will take the fading flower.

I cannot know the witching time

Death will stop my simple rhyme.

But I can choose to live and say

I’m glad I’m alive each darkening day.

I will not wail and wildly rage,

I’m ready to read Death’s bright new page.

Susan Barrett, August 20th 2022

Harriet Now and Then

https://tinyurl.com/HNandT

Susan’s thirteenth novel is about two women who share the name Harriet.  Alternate chapters tell their individual stories.  The first Harriet lived in the west country in the second half of the eighteenth century; the other is alive today. The first Harriet wrote poetry and married a man who had a good reputation as a poet. The second Harriet is a cellist and, through meeting an American professor of literature, becomes involved in research into the life of the first Harriet. The circumstances of the two women’s lives may be different but the challenges they face as women artists are similar. The 18th century Harriet does as well as she can, within the confines of a woman’s life at the time. Today’s Harriet was widowed young and left with an emotionally disordered son. She might have become a talented composer and concert cellist but has to gain a steady income while giving her son, now adult, a home and care. Both Harriet meet men who may make a difference to their lives but fail to do so, for different reasons.

Now available on Amazon in paperback and as an ebook. Follow the link at the start of this blog.

thirteenth novel out now!

I tell myself sternly that I’m not superstitious.  However, the fact that my latest novel is my thirteenth does cause a slight rattle in my ribcage.  Just the number in a sentence casts a shadow on the other words.  Still, here’s whistling bravely in the dark. I’ll do what I’ve done many times before and tell family and friends that I’m bringing out a new novel. Harriet Now and Then is now available in paperback and as an ebook on Amazon for anyone who likes reading mid-list novels; that is, entertaining stories woven around thoughtful topics that float between mass market popular genres and top rank literary masterpieces. 

Shouting my wares doesn’t come easily. My early novels came out to resounding silence, as far as I was concerned.  We were living on a Greek island at the time and we barely knew what month it was, let alone day of the week.  I had no idea what my nice editor at Michael Joseph had put in place in the way of publicity or promotion for my first few novels.  I was contentedly ignorant of any PR machinations going on for me in London.  This nonchalant attitude was fine at the time. My first career as a novelist came to an end in the 1990s when I turned to using whatever talents I have with real people in the real world.  I trained and practised as a counsellor and psychotherapist.  When I returned to fiction in the 21st century, I was without a publisher and, since then, I have self-published my fiction.  I may not have a fan base but I believe the people who do find and read my novels enjoy them, which to me is the whole point. If you are one of these precious people, I hope you enjoy this latest one.    

It’s about about two women who share the name Harriet.  They take alternate chapters to tell their individual stories.  The first Harriet lived in the west country in the second half of the eighteenth century; the other is alive today. The first Harriet wrote poetry and married a man who had a good reputation as a poet. The second Harriet is a cellist and, through meeting an American professor of literature, becomes involved in research into the life of the first Harriet. The circumstances of the two women’s lives may be different but the challenges they face as women artists are similar. The 18th century Harriet does as well as she can, within the confines of a woman’s life at the time. Today’s Harriet was widowed young and left with an emotionally disordered son. She might have become a talented composer and concert cellist but has to gain a steady income while giving her son, now adult, a home and care. Both Harriet meet men who may make a difference to their lives but fail to do so, for different reasons.

 At 83 I don’t think I’ll manage anything of novel-length again.  Short stories next.   So, if you read this latest, last, full-length novel, please let me know if you enjoy it.  Thank you!

Track it down on Amazon Books – Harriet Now and Then, by Susan Barrett, paperback and ebook.

SO FAR, SO GOOD – IN A LIMITED EDITION OF 100 COPIES

So Far, So Good is the title of our latest book. It’s the culmination of a year’s work, started during lockdown as a celebration of sixty years of marriage. The party we arranged for our diamond wedding anniversary in June 2020 couldn’t take place. The anniversary card Peter painted for me is now the cover of the book – the story of our life in words and pictures.

AVAILABLE NOW! SIGNED AND NUMBERED COPIES IN A LIMITED EDTION OF 100

SO FAR, SO GOOD  Peter and Susan Barrett

Sixty years together in words and pictures

A 152-page softback book (240 x 270 cm) with 365 illustrations composed during the first months of the pandemic describing our life over eight decades, pre-covid, as artist and writer

£18 incl p&p, by cheque or BACS sort code 30-98-45 A/c 01330952

or £15 by hand.  For postage abroad, please enquire.

P J and S M Barrett, Little Penn, Hemyock Devon EX153 SR, tel 01823.680192

From studio and study to print

We’ve been waiting for lockdown to ease before putting our latest book in the hands of the printers. Tomorrow we visit Short Run Press, Exeter, to see how Peter’s page layouts, which he has worked out on paper, will translate to digital.. SO FAR, SO GOOD is a 150-page book with illustrations on nearly every page. It shows, in words and pictures, how we have made our life together, shaped by our separate years of childhood, meeting as young adults and sixty years of marriage. We began working on the book in the summer of 2020, the year of our diamond wedding anniversary. Now, in April 2021, we are about to go into production. The back cover will show this oil painting of our local lane.

‘Along the lane’, oil painting by Peter Barrett

back cover text:

When Peter and Susan met and married in 1960 they shared similar ambitions – Peter to paint for a living, Susan to write. The present book completes an unintended trilogy charting the way they have fulfilled their dreams: Travels with a Wildlife Artist, the Living landscape of Greece, Columbus, 1986; The Garden of the Grandfather, Life in Greece in the 1960s, 2018; and now this book, So Far, So Good, sixty years together in words and pictures, which celebrates their diamond wedding anniversary in the midst of the covid pandemic, 2020.

COPIES WILL BE AVAILABLE AT £15 (+ £3 p&p) FROM MAY 2021

More information from susan@susanbarrettwriter.com

Delayed admiration

My mother’s only surviving and much younger brother was an occasional part of my and my sister’s childhood. He was a childless widower, his wife having died early on in their marriage. He used to visit us in Devon, riding to Tavistock from Sutton in Surrey on his BSA Bantam. On the day of his arrival, the pressing question always was: would Uncle Dicky cross the moor from Moretonhampstead, or take the longer, less exposed route via Okehampton? If his visit was in the summer, then he’d cross the moor and arrive looking like a tightly-wrapped, red-faced, camouflaged parcel. He was not a tall man. I think I’d reached the top of his head by the age of 14 or so. However, the energy contained within his small frame was boundless. He’d cram any number of rounds of golf and hands of bridge into the short time he was with us, before jumping on the Bantam and disappearing over the hill bound for his Sutton home.

What did I know about him? In childhood, not a great deal. His house had a brass cover to its front step which I used to polish when we went to stay with him. He had a housekeeper called Mrs Jones. Sometimes he had to ring her half way along a road out of London to ask her where he was going. (An absent-minded professor type for most of his life, he veered into dementia in his mid-90s). He took us to The Wizard of Oz and we went backstage because he knew the Tin Man. Or was it The Lion? Whoever it was, it was a supremely exciting meeting. Uncle Dicky masterminded London for us country bumpkins. He had a friend who was a writer with a mulberry tree in a Chelsea garden. In boat race season my sister and I were conflicted because Uncle Dicky had been at Oxford and our father at Cambridge. Our loyalty was mainly for Cambridge but we could equally well celebrate if Oxford won.

I knew he taught economics and economic history which was not, for me, exciting in any way at all. But my elder sister Jane appreciated Uncle Dicky and went to live with him so that she could study at the London School of Economics. I remember taking in the information that Uncle Dicky was something called a socialist which disturbed our grandparents. His sister, my mother, didn’t seem to think it mattered very much, but she was unhappy about his address: a socially undistinguished number 110 in a very long road of indistinguishable suburban houses. In the 30s, she said by way of explanation, many undergraduates were so left-wing they became communists. I could have learnt more about his views had I been up for it. In timid compromise between upbringing and inclination, I voted Liberal when I was old enough to vote. The schoolfriend who I shared a flat with was working for the Liberal Party and asked me to think of a slogan to print and place in the back windows of cars. Go with the Liberals! I suggested. Goodness knows what Uncle Dicky thought of my job as an advertising copywriter. Too capitalist for words. But he never indicated a shred of disapproval of his flighty younger niece.

Today he’s back with me, freshening up my memories, despite dying many years ago. This is because I’ve got down from the loft a huge great volume of ancient newsprint which I acquired from his second wife. It is a collection of the daily editions of The Times for a whole year: 1793. It measures 14 inches wide by 20 inches in height by three and a half inches deep. Within scuffed cardboard covers its layers of crinkle-edged pages look like the strata of mouse-coloured sedimentary rock. They smell mousy, too; yet they are amazingly unnibbled. I, and my predecessior owners, wrapped the volume securely. I will be able to extract nuggets of information about life in 1793, as reported in the Times, my unrealised intention for the last 10 or more years. This year my ideas have at last crystallised into the framework of a novel, which I’m calling HARRIET, NOW AND THEN. ‘Now’ is nowadays. ‘Then’ is the reign of George III, 1760 – 1815. Uncle Dicky’s volume, which he probably inherited from our mutual Mellersh family in Godalming, is coming into its own as background material – just so long as I can see the print clearly enough through a magnifying glass. My eyes could similarly date from the 18th century, judging by the difficulty I have in deciphering complete words due to macular degeneration.

However, the reason I’m writing this post does not lie in the volume itself. It comes from a cutting tucked between the first two pages. It’s from a 20th century newspaper and headed Men & Matters. Under the title Economy class, the writer (by-line “Observer“) describes Uncle Dicky on the occasion of his retirement after 30 years as secretary of The Economics Association. It starts: “The spread of economic literacy in Britain owes a great deal to Dickie Phillips.

It continues: ….”An Oxford boxing blue and former teacher, he joined the Association in 1951 when the ‘dismal science’ was allowed in few British schools. The Association itself had only 100 members – mainly teachers interested in stimulating economics education.

“We had a lot of opposition at the start from some of the universities,” says Phillips. “They thought economics was too difficult to be taught in schools and were afraid that bad teaching might spoil the ground for them.

...”Under his cheerfully eccentric but efficient administration the Association has exerted a growing influence in the educational world.”

Cheerful, eccentric, efficient – what a great combination. I think there may be many economists today who owe a lot to my uncle Dicky. I send salutes to him from today’s more understanding distance. I have no idea what he thought of my novels, but I can guess: he wouldn’t have bothered to read them. Fiction for him was a waste of time. The books on his shelves were all non-fiction, so he might have approved of the way I presented the family letters exchanged during World War Two. And I’m sure he would have been glad that the massive, mouse-grey volume of the Times of 1793 is about to be used as a vessel for research, even if it is in aid of fiction.

Collection of editions of The Times for 1793